Born in 1971, she's carved a tremendous path for herself as a novelist, a poet, a food writer, and a journalist who divides her time between Berlin and Jakarta these days. She was also the co-founder of the Aksara Bookstore. From 2009-2011, she served as an appointed member of the international prize jury of the art philantrophic organisation Prince Claus Fund in Amsterdam, on behest of the Dutch Royal Family.
As you can see in the footage above, the Poetry Parnassus was an impressive and ambitious gathering that brought out the best in our poets around the world. During the Poetry Parnassus in London, Laksmi Pamuntjak's featured poem was "A Traveler's Tale," which was published in Quarterly Literary Review Singapore in 2012. I appreciated what she was doing with this particular piece, and I think it reflects quite well on her overall body of work and recurring themes.
She followed it up the next year with The Anagram, which marked its 10th anniversary this year. The premise was her continued exploration of the human experience and everyday life. "Of love and loss, of grief and regret, of acceptance and rebellion, of fear of the unmapped and delight in the new, of redemption and the possibility of grace. This volume also includes eight poems on Buru Island in “From the Buru Notebook”, which focuses on a period during President Suharto’s administration (1965-1998) in which the island was turned into the site of a large penal colony where approximately 12,000 accused Communists and Communist Party sympathizers were detained for more than a decade without being formally charged or tried in court." Which was a very challenging proposition to do well, but won over the praise of many when it was released.
The Question of Red centers on two lovers driven apart by one of the bloodiest Communist purges in the 20th century—the massacre of up to one million accused Communists in Indonesia between 1965 and 1968. Originally known as Amba when it was published in 2012 in Indonesian, it was a national bestseller at the time. Many elements can be seen as a reinterpretation of the family epic of the Mahabharata, and the tale moves from rural Java to Europe and to the prison camps of Buru Island of the Suharto dictatorship.
Her poetry and short story credits include Critical Muslim (Summer 2015); Asymptote (January 2015); Softblow; Takahe (NZ): QLRS (Vol. 11 no. 1, Jan 2012), Heat Literary Journal (Australia), Asia Literary Review (December 2015; Autumn 2006, Vol. 3; Spring 2007, Vol. 4; Autumn 2007, Vol. 5; Prince Claus Fund Journal (Special Edition, #12, 2006); the Anthology of Writings from the Utan Kayu Biennale Literary Festival 2007, Not a Muse world poetry anthology (Haven Books: Hong Kong, 2009); Scalar Literary Magazine (Premier Edition, April 2010); Biblio Review of Books (2007); and the Poetry Edition of the Asia Literary Review (November 2010).
I think there are many things to look at here that we might consider as poets. What we use for inspiration, the questions we ask of one another. Where does mythology fit into our lives, the epics our families grew up with, and the realities of history.
As I look at her poetry, I can see why she was selected as a delegate to the Poetry Parnassus in London, and I'm intrigued to see where she will appear next. She's been invited to numerous literary festivals around the world and spoken at Yale, New York University (NYU), School of Oriental and African Studies, University of London (SOAS), and Ecole francaise d’Extreme- Orient in Paris. You can visit her website at http://laksmipamuntjak.com to learn more about the latest developments in her literary career.