"Happy Birthday, Mark Twain!"
"Guillermo del Toro (b. 1964) is one of the most inventive filmmakers of his generation. Beginning with Cronos (1993) and continuing through The Devil’s Backbone (2001), Hellboy (2004), Pan’s Labyrinth (2006), Pacific Rim (2013), and Crimson Peak (2015), among many other film, television, and book projects, del Toro has reinvented the genres of horror, fantasy, and science fiction. Working with a team of craftsmen, artists, and actors—and referencing a wide range of cinematic, pop-culture, and art-historical sources—del Toro recreates the lucid dreams he experienced as a child in Guadalajara, Mexico. He now works internationally, with a cherished home base he calls “Bleak House” in the suburbs of Los Angeles.
Taking inspiration from del Toro’s extraordinary imagination, the exhibition reveals his creative process through his collection of paintings, drawings, maquettes, artifacts, and concept film art. Rather than a traditional chronology or filmography, the exhibition is organized thematically, beginning with visions of death and the afterlife; continuing through explorations of magic, occultism, horror, and monsters; and concluding with representations of innocence and redemption."
"Whitehurst and Nguyen Trung Hieu, his South Vietnamese interpreter, were standing by a 55-gallon drum.Publisher's Weekly noted:
"I'm throwing things in there and they're burning, and over my left shoulder, and I remember this, Nguyen Trung Hieu was looking at the diary and said, 'Fred, don't burn this. It has fire in it already,'" Whitehurst says.
The diary was that of 27-year-old Dang Thuy Tram.
"My interpreter was a very loyal soldier to the southern government," Whitehurst says. "The fact that he would put himself at risk by saying 'Don't destroy her words' was very impressive to me. And if you read just very quickly into the diary four and five pages, you can see this is something that needs to be preserved."