Poetry, science fiction, fantasy, horror, and culture from a Lao American perspective.
Showing posts with label mythology. Show all posts
Showing posts with label mythology. Show all posts
Sunday, April 06, 2014
Water Lore: Thai-Tai Folk Beliefs and Literature
Prakong Nimmanahaeminda has an interesting article, "Water Lore: Thai-Tai Folk Beliefs and Literature" that may be of interest to many segments of our literary community seeking a broader understanding of the folklore, beliefs and customs of the region.
In Prakong's abstract it is noted: "Water is essential in the Thai-Tai way of life. Thai people in Thailand as well as Tai peoples outside Thailand depend on water for agriculture, domestic daily uses, transportation and recreation. This paper is a result of an in-depth study of the relationship between water, beliefs and literary traditions of the Thai and some ethnic Tai groups. The findings reveal that the Thais and the Tais have religious beliefs involving water concerning four important water beings: first, the water spirit, known as sua nam (เสื้อน้ํา); second, the water serpent known as nguek (เงือก); third, the great serpent or naga (นาค); and fourth; the river of the dead.
Of the four beliefs, the first two concerning the water spirit and nguek could date back to very ancient times and are common among several Tai ethnic groups. They provide a clear indication that the Thais and Tais hold nature in high reverence and awe. With the notion that nature is regulated and protected by a life-force, a rite to ask permission to use water from the spirit is almost always staged prior to the actual use. While Thai and Tai people recognize the benevolence of water and perceive it in life-form, they are fully aware of the precariousness of nature. The pervading influence of the mythical naga can be seen in Thai art, and the naga character in literature, folktales, legends concerning city building, religious architecture, and in rituals. The role of the naga in Thai and Tai narratives has been modified or adapted in various local traditions.
River and water motifs are woven into Thai –Tai literature in both form and content. Impromptu recitation of sakawa (a form of folksong), niras (travelling-narration poetry), and Karb hey Rua are related to waterway in form; while idioms and metaphors, prays of characters in dilemma, waterborne society in a drama or play, and marine warfare, etc. are in content."
There are some great leads here for emerging and established writers to consider, particularly the four key water beings. It would be interesting to see an exhibit of artistic responses to each of these, especially in light of environmental issues emerging in Southeast Asia at the moment involving the various water bodies and modern development.
Wednesday, January 08, 2014
[Art] Lisu elephant mask
A Lisu elephant mask. The colors are fading but you can get a sense of how vibrant everything was originally. This particular example was found in Burma, but the Lisu can been found throughout Southeast Asia, along with many other cultures such as the Akha, Lahu, Lue, Khmu, Tai Dam, Ta Oy, etc. in the region some consider Zomia, although it's never been formally called or organized as such.
Lisu history is passed on from one generation to the next through song, and it reputedly can take an entire night to sing the whole history of the Lisu now. Some scholar believe they had roots in Tibet, migrating into Yunnan and then into Southeast Asia.
There are approximately 58 Lisu clans, with many historically practicing a form of animism and shamanism, but Christianity is currently in the process of attempting to convert the majority of Lisu wherever they are found. They have had less success in Thailand, at the moment. In Thailand, the most prominent group of Lisu are the Flowery Lisu, who often receive tourist visitors who come to gawk at them as part of a guided hill-tribe trek.
Tuesday, December 10, 2013
Traditional Lao Nak designs
Three examples of traditional Nak designs found in various Lao communities around the world, although the research suggests there are many possibilities and configurations. These three in particular give an example of the variations they can have for the discerning eye. Unfortunately, as is often the case, information regarding the specific significance for many of them is hard to come by. In DEMONSTRA, they figure frequently in many poems in both conventional and newer techniques of representation.
A Slice of the Southeast Asian Underworld and Spirits of Laos (2012)
Back in 2012 I did a quick write up on the supernatural in Laos for the Halloween Haunts blog feature of the Horror Writer Association. The Internet being a persnickety thing from time to time, I'm reproducing that post here for posterity, and also for the convenience of new readers just starting to examine Lao horror, especially if you've recently picked up a copy of my new book DEMONSTRA from Innsmouth Free Press.
“When the water rises, the fish eat the ants; when the water falls, the ants eat the fish.”
- Traditional Lao Proverb
- Traditional Lao Proverb
Laos isn’t the first place people think of when it comes to international fear and horror. But whether your tastes are for the supernatural or otherwise, Laos has many surprises for those willing to look, from secret wars to eerie ghosts and weretigers.
Laos is a country of 6 million people, the size of Great Britain and a little bigger than Minnesota. But from a literary standpoint it is still largely terra incognita. Many readers became familiar with Laos through writers such as Colin Coterill, whose mysteries feature the Lao coroner Dr. Siri, or non-fiction accounts such as The Spirit Catches You and You Fall Down by Anne Fadiman.
Once known as the Realm of a Million Elephants, Laos traces its roots over 600 years to the ancient kingdom of Lan Xang. Laos has since gone by many names to many different travelers.
During the 19th and 20th century, “tranquil” Laos was involved in numerous bloody conflicts, including a byzantine Secret War involving a covert CIA army supporting the Royal Lao Government against the Pathet Lao and their allies. By the end of the war, more tons of bombs were dropped on Laos than on all of Europe during World War 2. Countless people drowned in the Mekong River trying to escape reprisals at the end of the war in 1975.
Over 80 different ethnic groups reside in Laos, each with their own cosmological traditions. While many are Buddhist, others practice variations of animism and ancestor worship. In October, while Americans and Europeans celebrate Halloween, the Lao celebrate Awk Phansaa during the full moon. During this time, families observe the custom of lai hua fai, fashioning small boats adorned with candles, incense and offerings to the spirits, setting them adrift down the river.
While many connect Laos most to the Mekong River, the rest of Lao geography lends itself to intriguing stories. Over 70% of the countryside is jungle or mountain. In the aftermath of the US Secret War in Laos, over 30% of the countryside remains contaminated with over 80 million unexploded cluster bombs. Laos is home to the mysterious Plain of Jars, filled with ancient, massive stone urns built by an unknown culture for an unknown purpose. There is also Xieng Khuan, the Spirit City, a bizarre concrete sculpture garden built by a priest-shaman blending Buddhism and Hinduism. One of the most prominent Buddhist stupas, That Dam, is said to be built over a slumbering ancient being who rose up to defend Laos against invaders in 1827.
Among the creatures Lao encounter in traditional folklore are the Nak, known in other traditions as Naga, or more crudely, as dragons, although that would be a very poor understanding of these beings. Although they are shapeshifters, their most common form is as a mammoth, often with many heads. They’re reputed to dwell in rivers or beneath the earth. They’re associated with magic and water, including the rain and floods, but also with fertility. Some accounts maintain that the Nak are snake deities who converted to Buddhism and now protect the teachings of the Buddha. They are generally regarded as benevolent, but their vengeance is greatly feared. They are depicted most frequently on the balustrades of Wat Lao, (Lao Buddhist temples).
In Laos, the term phi is applied as a catchall term for the hundreds of ghosts who live in the cities and wilderness. A Phi Kasu, for example, is a floating woman’s head with her entrails and viscera dangling below, ambushing victims at night. Other phi include the hungry ghosts of Buddhist tradition, the ghosts of women who die during childbirth, and at least one being whose presence turns chickens inside out and causes pigs to explode. There is no one comprehensive catalog of Lao phi to date.
One book of interest on this subject is Lokapâla: génies, totems et sorciers du Nord Laos, first printed around 1954, by Henri Deydier. This text examined the beliefs and superstitions of Northern Laos, and recorded Deydier’s trip by foot and horse through the jungles. At the age of 32, Deydier, alas, died in a plane crash in Laos just shortly after publication of this book. Although it was published in French and German, no edition in English has been published.
Man-Tigers, or Lao weretigers show up in the folklore of many of the tribes and minorities found in Southeast Asia. Among the Lao Soung tribes in the mountains of Laos, weretigers are one of the most supernatural concerns over many others. The Akha, Lisu, Hmong and Lahu in particular are on guard against these beings. The Lisu believe the weretigers are capable of possessing others, including family members. This has affected the courtship practices of Lisu youth, who avoid courting people who are from villages where someone had been reputedly possessed by a weretiger. Among many of the cultures in Laos, during funerals, many are concerned about the arrival of weretigers interested in the deceased and their corpse.
With over 400,000 Laotians living in diaspora in the US and around the world, many brought their traditions and beliefs with them.
While much of the 600 year Lao history and culture has focused on transmitting a message of harmony and friendship, like any society, there is a dark undercurrent of stories that have just begun to be learned outside of the borders of Laos.
Thursday, December 05, 2013
Xieng Mieng and DEMONSTRA come to Minneapolis!
Close out your year with the Minnesota debut of Nor Sanavongsay's Xieng Mieng: A Sticky Mess! from Sahtu Press and DEMONSTRA from Innsmouth Free Press!
A special thanks to NAIKU for letting us use their space at CoCo in Minneapolis! The reading will be at 400 S. 4th St., Suite 401 from 5 to 6:30 P.M. on December 30th. This is the Minnesota premiere reading!
Xieng Mieng: A Sticky Mess is the comedic origin story of one of the most beloved folk heroes of Laos. A young monk keeps getting in trouble with the head of the monastery who think the boy can't do anything right. Finally, the young boy decides to turn the tables with the help of a chicken and a little bit of a sticky snack called mieng. What happens next has become the stuff of legend for over 600 years!
I'll be reading from my latest book of Lao American Speculative Poetry, DEMONSTRA, from Innsmouth Free Press! It's currently under consideration for a Stoker Award in Poetry from the international Horror Writers Association. It features interior art by Vongduane Manivong!
Award-winning poet and playwright Saymoukda Duangphouxay Vongsay will also be reading with us for this special occasion!
A special thanks to NAIKU for letting us use their space at CoCo in Minneapolis! The reading will be at 400 S. 4th St., Suite 401 from 5 to 6:30 P.M. on December 30th. This is the Minnesota premiere reading!
Xieng Mieng: A Sticky Mess is the comedic origin story of one of the most beloved folk heroes of Laos. A young monk keeps getting in trouble with the head of the monastery who think the boy can't do anything right. Finally, the young boy decides to turn the tables with the help of a chicken and a little bit of a sticky snack called mieng. What happens next has become the stuff of legend for over 600 years!
I'll be reading from my latest book of Lao American Speculative Poetry, DEMONSTRA, from Innsmouth Free Press! It's currently under consideration for a Stoker Award in Poetry from the international Horror Writers Association. It features interior art by Vongduane Manivong!
Award-winning poet and playwright Saymoukda Duangphouxay Vongsay will also be reading with us for this special occasion!
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