Poetry, science fiction, fantasy, horror, and culture from a Lao American perspective.
Sunday, November 29, 2015
Available now at Sahtu Press!
It's the holiday season!
I've gotten a number of great questions from many of you who are interested in buying my books. This year, the best place to find my books this holiday season: http://sahtupress.com/shop
When you buy from the Sahtu Press website, I'll also autograph them for you. But thanks to a succesful season, inventory is very limited right now, so please keep that in mind. If you order by December 10th, we'll be able to get them to you in time for Christmas or the New Year.
Additionally, don't forget to get you copies of book from writers like Nor Sanavongsay, Krysada Panusith Phounsiri, Soul Vang, Kevin Minh Allen, and David Zander & Sunny Chanthanouvong! Some new authors are coming in 2016 so it's going to be a very exciting year ahead. Thank you for all of your support!
I hate buying sight unseen as much as the rest of you. So, if you'd like to see a preview of what you're getting with Tanon Sai Jai, you can go here to check it out first.
Saturday, November 28, 2015
Accessibility issues and Lao event programming
Recently the SFF Convention Accessibility pledge has been circulating around asking convention organizers to create events that accessible to those with disabilities. Io9 has a good introductory briefing on the topic, and there are some excellent comments being made, overall. They're citing the Wiscon accessibility policy as the gold standard. I've personally signed the pledge, and do encourage others to consider doing so.
That leads me to thoughts of what we can do to take back these ideas to the Lao community as we plan events, becaue it's not only a courtesy, it is the law.
Given how many community members we have, particularly elders, veterans, and others with disabilities, some visible, others less so, it's important for us to consider how we're organizing events. Not all disabilities are permanent. For example, are you prepared if your guest of honor has been in car accident and has to use a wheel chair for the time being? We need to set a good example for our youth to have an inclusive mindset.
We should ask what we're doing to go above and beyond in terms of providing accomodations to improve our paticipatory experiences for everyone.
Are you leaving enough space in the aisles for those with wheelchairs or crutches? If you use a stage, is there a ramp or option for someone with mobility issues?
Are their options for large-print programs for those with limited vision, or at least a poster with large type somewhere with the schedule so people can identify where they want to go?
Are sign language interpreters available? For those who are hard of hearing are good microphones and clear sound systems in place for the speakers, and for the audiene if you have a question and answer segment?
If you have events that aren't on the first floor, are there good elevators or lifts in the building? Are your events held on major public tranport lines, and is there an easy space for loading and unloading passengers? For outdoor events, are there good paths for wheelchairs, or ground that's not too muddy?
There are many other questions to be asked, but that's an example of the considerate thinking we need to be advocating during our event planning.
At the very least, do you know who to contact in the event that an accessibility issue comes up?
I spent many years in Minnesota planning events, from the Five Senses Show to the National Lao American Writers Summit and the Legacies of War: Refugee Nation Twin Cities exhibition, among others. I learned a lot from those experiences on the importance of addressing accessibility, but as always, there's more we can learn.
Creating accessibility is always a constantly evolving process. New technology, new issues, and more importantly, new opportunities for inclusion are always emerging. That should excite organizers of science fiction conventions, and that should excite Lao event organizers who pride themselves on hospitality, inclusion, and diverity.
I see the creation of accessible spaces as fully within our traditional values, and it's a mindset we need to pass on to the next generation. As a community, we need to see it as a benchmark of failure if we can't be bothered to consider how to include those with disabilities in our events.
One thing that's been helpful to me over the years was the Metropolitan Regional Arts Council's Arts Accessibility Planning Guide. It's well worth a look not only for Minnesota events but events anywhere. The National Endowment for the Arts also has a good resource guide, but everyone should take the time to get more informed and understand what constitutes good implementation of the ADA act.
For Lao American refugees, there aren't many existing resources in our own words, in our own language at the moment. This is a conversation which hasn't really been held to identify if there are any accessibility issues unique to our community beyond language barriers. Nationally and locally, we haven't done much community asset mapping to determine what forms of accessibility we need to prioritize. Hopefully in the years ahead, we'll see significant community leadership emerge committed to inclusion and addressing these issues.
That leads me to thoughts of what we can do to take back these ideas to the Lao community as we plan events, becaue it's not only a courtesy, it is the law.
Given how many community members we have, particularly elders, veterans, and others with disabilities, some visible, others less so, it's important for us to consider how we're organizing events. Not all disabilities are permanent. For example, are you prepared if your guest of honor has been in car accident and has to use a wheel chair for the time being? We need to set a good example for our youth to have an inclusive mindset.
We should ask what we're doing to go above and beyond in terms of providing accomodations to improve our paticipatory experiences for everyone.
Are you leaving enough space in the aisles for those with wheelchairs or crutches? If you use a stage, is there a ramp or option for someone with mobility issues?
Are their options for large-print programs for those with limited vision, or at least a poster with large type somewhere with the schedule so people can identify where they want to go?
Are sign language interpreters available? For those who are hard of hearing are good microphones and clear sound systems in place for the speakers, and for the audiene if you have a question and answer segment?
If you have events that aren't on the first floor, are there good elevators or lifts in the building? Are your events held on major public tranport lines, and is there an easy space for loading and unloading passengers? For outdoor events, are there good paths for wheelchairs, or ground that's not too muddy?
There are many other questions to be asked, but that's an example of the considerate thinking we need to be advocating during our event planning.
At the very least, do you know who to contact in the event that an accessibility issue comes up?
I spent many years in Minnesota planning events, from the Five Senses Show to the National Lao American Writers Summit and the Legacies of War: Refugee Nation Twin Cities exhibition, among others. I learned a lot from those experiences on the importance of addressing accessibility, but as always, there's more we can learn.
Creating accessibility is always a constantly evolving process. New technology, new issues, and more importantly, new opportunities for inclusion are always emerging. That should excite organizers of science fiction conventions, and that should excite Lao event organizers who pride themselves on hospitality, inclusion, and diverity.
I see the creation of accessible spaces as fully within our traditional values, and it's a mindset we need to pass on to the next generation. As a community, we need to see it as a benchmark of failure if we can't be bothered to consider how to include those with disabilities in our events.
One thing that's been helpful to me over the years was the Metropolitan Regional Arts Council's Arts Accessibility Planning Guide. It's well worth a look not only for Minnesota events but events anywhere. The National Endowment for the Arts also has a good resource guide, but everyone should take the time to get more informed and understand what constitutes good implementation of the ADA act.
For Lao American refugees, there aren't many existing resources in our own words, in our own language at the moment. This is a conversation which hasn't really been held to identify if there are any accessibility issues unique to our community beyond language barriers. Nationally and locally, we haven't done much community asset mapping to determine what forms of accessibility we need to prioritize. Hopefully in the years ahead, we'll see significant community leadership emerge committed to inclusion and addressing these issues.
Congressional Briefing: "AAPIs Behind Bars: Exposing the School to Prison to Deportation Pipeline"
It's not much good to those of us who aren't in the DC area, but SEARAC is convening a Congressional Briefing: "AAPIs Behind Bars:
Exposing the School to Prison to Deportation Pipeline."
Among those involved are Asian Americans Advancing Justice - LA (AAJC), Asian Pacific American Labor Alliance / AFL-CIO (APALA), Asian Prisoner Support Committee (APSC), National Education Association (NEA), and the Southeast Asia Resource Action Center (SEARAC) with the Congressional Asian Pacific American Caucus (CAPAC).
This is planned to be a Congressional briefing to highlight the impact of mass criminalization, incarceration, and deportation on Asian Americans, Native Hawaiians, and Pacific Islanders, which should be an issue of concern to many of us.
In the meantime, we need to keep an eye out for the release of the new report put together by AAJC-LA, APALA, APSC, NEA, and SEARAC. They maintain that our communities are an often overlooked segment in the criminal justice system.
Already, they have released notes that "AAPIs' rate of incarceration quadrupled between 2000 and 2010, and disaggregated data shows that certain Asian subgroups, such as Southeast Asian Americans and Pacific Islanders, have significantly high rates of arrest and incarceration."
They argue that incarcerated AAPIs also experience "unique challenges, including cultural stigmas, lack of community awareness, and disownment from their families."
They're inviting Congressional offices, federal agencies, coalition partners, AAPI organizations, and criminal justice, immigration, and education advocates to join us in this important conversation. Food will be provided. The briefing is on December 2nd. The hashtag is #AAPIsBehindBars
Among those involved are Asian Americans Advancing Justice - LA (AAJC), Asian Pacific American Labor Alliance / AFL-CIO (APALA), Asian Prisoner Support Committee (APSC), National Education Association (NEA), and the Southeast Asia Resource Action Center (SEARAC) with the Congressional Asian Pacific American Caucus (CAPAC).
This is planned to be a Congressional briefing to highlight the impact of mass criminalization, incarceration, and deportation on Asian Americans, Native Hawaiians, and Pacific Islanders, which should be an issue of concern to many of us.
In the meantime, we need to keep an eye out for the release of the new report put together by AAJC-LA, APALA, APSC, NEA, and SEARAC. They maintain that our communities are an often overlooked segment in the criminal justice system.
Already, they have released notes that "AAPIs' rate of incarceration quadrupled between 2000 and 2010, and disaggregated data shows that certain Asian subgroups, such as Southeast Asian Americans and Pacific Islanders, have significantly high rates of arrest and incarceration."
They argue that incarcerated AAPIs also experience "unique challenges, including cultural stigmas, lack of community awareness, and disownment from their families."
They're inviting Congressional offices, federal agencies, coalition partners, AAPI organizations, and criminal justice, immigration, and education advocates to join us in this important conversation. Food will be provided. The briefing is on December 2nd. The hashtag is #AAPIsBehindBars
Thursday, November 26, 2015
Are YOU a Cthulhusattva? Call for Submissions ends 12/15
Over at Martian Migraine Press they released for the call for their 2016 anthology Cthulhusattva: Lovecraftian Tales of the Black Gnosis. The deadline to submit something ends 12/15. If you've got something that's thoughtful, chilling, and in line with their core premise regarding the Cthulhu Mythos, I recommend sending something in.
As they ask: "What of the opposite numbers to your standard Lovecraftian hero? What of those servants of the Great Old Ones? The cultists. Sorcerers. Witches. Lone madmen and women. What of those who go seeking that dark enlightenment of their own free will? What of the individuals who choose to cast off from the shores of humanity’s placid island of ignorance, who choose to voyage far on those black seas of infinity that surround that island?"
They seek stories that "explore these themes, and these intrepid, intelligent, and yes, more than a little insane characters! However, we’re not interested in dyed-in-their-woolen-robes hooded cultists or card-carrying gibbering lunatics with knives behind their backs, laying in wait for the Randolph Carters and Professor Armitages of the world. Instead, give us stories that examine what it means to truly learn the nature of the Universe and come out the other side, smiling! Remember, the Old Ones are apathetic to human needs and desires, and are as likely to ignore a supplicant as devour them. So, consider how one might go mad at contact with them, but still live and move and have an affect in the world."
"We want to see tales of Mythos mystics, spiritual sorcerers, monstrous monks, and preternatural philosophers, and we want to see them in a diverse range of settings, not just Arkham. The world is vast and strange: show us the bizarre and mind-expanding traditions of far-flung locales! Take us from the deep past to the unimagined future! Give us stories that prove you can hear the Call of Cthulhu… and return as a Cthulhusattva!"
Open to submissions of stories up to 7000 words. Payment will be .03CAD per word + contributor copy (paperback and ebook)
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